Antoine-Francois Callet
(1741-1823, Paris), generally known as Antoine Callet, was a French painter of portraits and allegorical works, who acted as official portraitist to Louis XVI.
He won the grand prix de Rome in 1764 with Cleobis et Biton conduisent le char de leur mere au temple de Junon (Kleobis and Biton dragging their mother's cart to the temple of Juno). He was accepted by the Academie des beaux arts in 1779, with his entry piece being a portrait of the comte d'Artois, and received with his allegory Le printemps (Spring) in 1781. He exhibited at the Salon from 1783 onwards. He painted the centre of the ceiling of the grande galerie of the palais du Luxembourg, with a composition entitled L'Aurore (Aurora). Under the French Consulate and the First French Empire he painted several more allegories, including an Allegorie du dix-huit brumaire ou la France sauvee (Allegory of 18 Brumaire, or France saved - 1801, château de Versailles) and an Allegorie de la bataille d'Austerlitz (Allegory of the Battle of Austerlitz - 1806, château de Versailles).
Related Paintings of Antoine-Francois Callet :. | The Lac d'Annecy | The Newborn Christ | Vue de Saint-Ouen-l'Aumone | Watson and the Shark | Perseus and Andromeda | Related Artists: BRUYN, BarthelGerman painter (b. 1493, Cologne, d. 1555, Cologne).
German Renaissance painter, active in Cologne from 1515. Known especially for his portraits, which combine Northern realism with Italian-inspired monumentality and breadth, Bruyn also painted religious works such as the high altar at Essen Cathedral (1522). A portrait of a man and three religious works are in the Philadelphia Museum; many of his works are in Germany. Erich HeckelGerman
1883-1944 Andrea Locatelli was an Italian painter of landscapes (vedute). 1695-1741
Born in Rome, he was the son and pupil of the painter Piero Locatelli, who had studied with the Florentine Ciro Ferri. He next apprenticed under Paolo Anesi, although his style and thematic is akin to that of Claude Lorrain, and depicts small mythologic figures although within a wild environment more similar to those of Salvator Rosa. He is also known as Andrea Lucatelli. Andrea excelled in painting vedute in a style reminiscent of Jan Frans van Bloemen, one of the Bamboccianti. One of his pupils was Joseph Vernet.
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